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Visual Reconstruction Data Point Modeling of Spatial Art in Garden Landscape

conferencePaper

DOI:10.1109/ICECA52323.2021.9675928
Authors: Chai Ye

Extracted Abstract:

—This paper studies the current urban landscape gardens that can allow people to have close contact with nature through design, and meet people's needs for being close to nature. At this stage, the greening work of landscape gardens can also fully improve the existing ecological environment of the city, which is convenient for my country to build an eco-friendly society. In the process of landscape garden design, space art plays an important role. It is mainly based on space art to mo del the visual reconstruction data points in the garden landscape. The content of space art design mainly includes the overall topogra phy of the garden, vegetation and planting conditions, and va rious activity areas. The coordinated design of the garden landscape makes the overall design of the garden landscape more scientific and visually e xpressive, an increase of 4.6%. Keyword s—Visual Reconstruction, Data Point Modeling, Spatial Art, Garden Landscape I. INT RODUCT ION The coastal areas of Eu ropean and American c ities have a long history of development. They have e xperienced a process of prosperity and decline, and are now in the stage of redevelopment. In Ch ina, the development boo m of the coastal area of modern c it ies began in the 1990s. W ith the government’s emphasis on the construction of the coastal area and the increase in people’s demand for coastal recreation, the landscape and functions of the urban coastal area developed in the early days can no longer satisfy people. The urban coastal areas urgently need further transformat ion or redevelopment; some newly developed urban coastal areas also need overall planning, development and construction [1-6]. The urban coastal area has a p leasant environment and rich landscape levels, which to a ce rtain e xtent shows the urban style and features of coastal cities and represents the image of coastal cit ies. Ho wever, the construction of the coastal area of domestic cities lacks the connection with the overall urban planning, resulting in the urban coastal landscape like a piece of "lace rag", the coastal landscape belt has a pleasant scenery, but it cannot be integrated with the internal urban landscape. The concept of public space art first e merged in the Un ited States in the 1950s, and it e me rged in China a round the century. With the development of economy, public space art is also constantly developing. The biggest feature that distinguishes it from other art is "publicity", wh ich appeals to the interaction between the public space artwork and the public environ ment, the interaction between the public and the public space artwork, and the public s pace art the interactivity is the driving force for the development of public space art. Cultura l inheritance is not to inherit tradit ional culture intact. It should take its essence and discard its dross. It means to carry forward the positive and social require ments. Those backward and decadent things must be transformed or eliminated. Therefo re, cultura l inheritance is innovative. The so-called "innovation and innovation" refers to the critical inheritance of old things and old culture, re moving dross, taking its essence, and creating new ones [7-14]. We can't talk about innovation in va in, we should combine the spirit of the times and pursue cultural innovation. The goal of co mputer vision is to use two-dimensional images to rea lize the perception of e xterna l things and the objective three- dimensional world. The method and technology are three - dimensional vision functions that the system uses computer and other related auxiliary equip ment to achieve. The three - dimensional in formation we a re ta lking about includes many, among wh ich posture, position, shape, move ment, etc. are the focus of our research. At the same time , three-dimensional objects must be stored, described, recognized and understood. Due to the increased require ments for detection methods and the booming visual detection technology, the development of image visual detection technology has been promoted. Visual inspection technology is a modern inspection technology that uses image information as a detection method, cooperates with related knowledge such as optics, and uses computer knowledge to solve the proble m of detection. Co mputer vision systems have many advantages, such as: rapidity, informat ion richness, easy integration, etc., and the designed computer inspection equipment has many advantages. Chinese garden landscape plant design art takes Confucian cultural thought as its core concept, and Confucian aesthetic thought and characteristics as its constituent factors [15-19]. With its unique ideological and spiritual cultura l connotations, Chinese garden landscape highlights the important ro le of Confucian cultural aesthetics in the a rt of garden landscape plant design. Harmony and unity are an important man ifestation of Confucian aesthetics for the aesthetic form of garden landscape plant design. The art of Chinese garden landscape plant design has a profound imprint of Confucian aesthetics and has a unified style of beauty and goodness. Confucianism advocates benevolence as the foundation and happiness as the influence, and it pays more attention to the tempering of personality and the cultivation of character. Chinese garden landscape plant design art pays more attention to not only the beauty of form, but also realizes the pursuit of Confucian cultural thoughts of beauty and kindness through the unity of shape and color, form and content. The Chinese people have unique ingenuity in the design and use of plants in the garden landscape, creating distinctive national characteristics and unique cultural interest. In the process of shaping the traditional garden landscape plant culture, it will naturally be ca rved with the imp rint of the Proceedings of the Fifth International Conference on Electronics, Communication and Aerospace Technology (ICECA 2021) IEEE Xplore Part Number: CFP21J88-ART; ISBN: 978-1-6654-3524-6 978-1-6654-3524-6/21/$31.00 ©2021 IEEE1325 2021 5th International Conference on Electronics, Communication and Aerospace Technology (ICECA) | 978-1-6654-3524-6/21/$31.00 ©2021 IEEE | DOI: 10.1109/ICECA52323.2021.9675928 Authorized licensed use limited to: TU Wien Bibliothek. Downloaded on October 26,2024 at 10:29:11 UTC from IEEE Xplore. Restrictions apply. times, such as Spring and Autumn Orchid Culture, Tang Dynasty Peony Culture, Song Dynasty Plu m Cu lture, etc. These imprints constitute the history of the growth of Chinese garden landscape plant culture. In the Western Jin Dynasty, Tao Han wrote "The Plants and Trees in the South", the later Wei Jia Sixie wrote "Qi M in Yao Shu", Tang Wang Fangqing wrote "The Garden and T rees and Trees", Song Ouyang wrote "Luoyang Flowers and Trees", Ming Wang Xiangjin wrote "Two Ru Pavilion Group Fang Pu" [20-24]. II. THE PROP OSED MET HODOLOGY A. Chinese Garden Landscape The art of Chinese garden landscape plant design embodies the aesthetic characteristics of typical Confucian cultural thinking. Ch inese garden landscape plant design emphasizes that beauty and goodness are inseparable. Beauty and goodness can achieve the perfection of life fro m d ifferent angles. Goodness can make people symbiosis and beauty can be shared. The primary feature of the aesthetic psychology of Confucian cultura l thought is beauty and kindness, and the highest state is perfection. In addition to the pursuit of beauty, the art form of Chinese garden landscape plant design e xpresses a strong demand for good. The materia l e mbodiment of the aesthetic appeal of Chinese garden landscape plant design is full of the wo rking people's eager hope and unremitting pursuit for a better life, and reflects the unchanging national cultural psychology of Confucianism. Fig. 1. Overlooking t he garden landscape In 19 years, Ha rp Soc ks used the concept of giving one free to the commun ity in the ecologica l form in the design of the coastal farm residential area in the north of San Francisco in the United States; W combined with the env ironmental characteristics and environmental protection as the starting point for the design, retaining the wild landscape of coarse mines and the topography of natural cliffs. Pay attention to the protection of wild resources, and conduct in -depth research on local topography, landforms, vegetation and other aspects. In the 1960s, the United Kingdom established the "Marine Enterprise District" to study how to effectively control the development of the coastal zone. In the 1990s, the Un ited States developed the coastal zone fro m a regional perspective, which pro moted the economic development of the six counties running through the coastal road in Georg ia. In 1998, the planning of the Cape Code Coastal Area in Massachusetts used GIS technology to conduct a co nceptual regional analysis of landscapes and recreational experiences, and established a corresponding database to facilitate subsequent development and management. Since the 1960s, the redevelopment of coastal landscapes in fore ign cit ies has ma inly focus ed on the revival of abandoned piers. Successful cases include the Baltimore Inner Harbor in the Un ited States and the Newport in Yokoha ma, Japan. B. Visual Reconstruction Data Point Modeling Modern informat ion technology has knocked on the door to the era of "reading pictures". The aesthetics of popular culture tends to be visualized, and people generally enjoy the cultural lifestyle of fingertips. The aesthetics of te xts is gradually declining, and the ideographic space of te xts is suppressed. The "eyeball effect" captures a lot of Fans are more ma rketable and can bring visual pleasure and intuit ive perception to viewers. At present, my country’s red culture communicat ion main ly re lies on traditional media such as materia l, language, management, and activities. Although there are also Internet med ia involved, the te xt annotations focused on the

Level 1: Include/Exclude

  • Papers must discuss situated information visualization* (by Willet et al.) in the application domain of CH.
    *A situated data representation is a data representation whose physical presentation is located close to the data’s physical referent(s).
    *A situated visualization is a situated data representation for which the presentation is purely visual – and is typically displayed on a screen.
  • Representation must include abstract data (e.g., metadata).
  • Papers focused solely on digital reconstruction without information visualization aspects are excluded.
  • Posters and workshop papers are excluded to focus on mature research contributions.
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